The Dark Knight

I was so intrigued to see a new interpretation of an already golden performance by Nicholson, and since this role was efferent than anything Heath Ledger had done before, knew it was going to be either incredible or awful. Emily noted that the powerful emotions between the characters and the brooding cinematography created an intense viewing experience for the audience, which helped them connect to the stow.

The scene that we chose is an essential part of the movie. It is one of the first and most sign efficient interactions between the Joker and Batman. To set the tone, prior to this scene, the Joker was finally in police custody after wrecking ass chaos in Gotcha, and Lieutenant Gordon begins an interrogation with the Joker to try to find information regarding the disappearance of District Attorney Harvey Dent.

However, the Joker is unwilling to provide any valuable information, so Gordon leaves the rest of the interrogation up to Batman, who of course had been hiding in the shadows of the dimly lit room. The scene begins as an aggressive conversation, and after the Joker toys with Batman, jabbing at personal points, the tone changes from an abrasive interrogation to a brutal and edgy beating. Batman was being tested by the Joker, and eventually the Joker won by getting under his skin.

The power of this scene was the synthesis of so many cinematography elements. It begins as a traditional interrogation: a dark room with someone getting the third degree. But when Batman is exposed under the bright lights, it completely changes the aesthetic of the scene. Under the lights, the viewer can see the gruesome and decaying texture of the Jokers makeup and scars, and understand that his psychotic nature is reflected directly into his personal appearance.