Research Paper Finalexampleothello
His piece of iterative, Poetics, is highly regarded as one of the main sources used to define what makes a tragedy. In each tragedy, there must be a tragic hero to carry out the plot of the story. In addition, the protagonist must conform to specific guidelines according to Aristotle to be considered a tragic hero. According to Aristotle, the hero of a tragedy must “not be shown passing from good fortune to misfortune; again, vicious people must not be shown passing from misfortune to good fortune; nor again should an utterly evil man fall from good fortune into misfortune.
So we are left with the man between hose extremes: that is to say, the kind of man who neither is distinguished for excellence and virtue, nor comes to grief on account of baseness and vice, but on account of some error; a man of great reputation and prosperity, like Oedipus and Theses and conspicuous people of such families as theirs. ” (U. Potts 981-2) However, there are many adverse views on his definition of a tragic hero. The question is whether or not those guidelines must adhere to all tragedies to be successful.
Othello, the protagonist in Othello is much like Oedipus, from Oedipus the King. Both Oedipus and Othello fulfill all of the prerequisites of a tragic hero: men between the extremes, they have a tragic flaw, they commit a fatal error, and are men of great reputation and prosperity. All these contribute to the fact that Oedipus the King and Othello as tragedies are successful in arousing fear and pity from the audience. Therefore, Oedipus and Othello exemplify Aristotle?s definition of a tragic hero.
Oedipus the King takes place in Ancient Greece in the city of Thebes. The protagonist of the Story is Oedipus. It is made clear at the beginning of the lay that Oedipus is a man of high stature that is able to grab the audience’s attention. Oedipus proclaims, “l Oedipus whom all men call the Great. ” (Sophocles 8) Oedipus is shown to be a man of great reputation, as he claims himself to be a hero among men. A plague has stricken the city of Thebes, and as its king, he has piled the task upon himself to rid the city of the outbreak.
To rid the city of this infection, Oedipus must find the murderer of the previous king, Alias. When speaking to the people of Thebes while searching for the slayer of Alias, Oedipus declares, “Upon the murderer I invoke this curse – whether he is one man and all unknown, or one of many may he wear out his life in misery to miserable doom! ” (Sophocles 245) Here it becomes evident of Oedipus’ hamster, or tragic flaw. Oedipus’ hamster is his short temper, as he is quick to shout consequences aimed at the killer without knowing many facts.
His short temper also leads him to the error that sets his fate in motion. Hamster is a key element in having a tragic hero. On his continued search for the murderer, the blind prophet Terrifies is brought to him to reveal the truth. Once in the presence of Oedipus, Terrifies effuses to provide him information on the murderer, revealing that he will not bring to the light of day his troubles, or rather, Oedipus’ troubles. (Sophocles 326) This leads Oedipus to become enraged, and he begins to shout insults at the blind seer.
Terrifies becomes angry at these insults, and sends Oedipus spiraling towards his demise by revealing his fate. Terrifies states that Oedipus “shall be proved father and brother both to his own children in his house; to her that gave him birth, a son and husband both; a fellow sorer in his father’s bed with that same father that he murdered. (Sophocles 458) These events lead him to the misdiagnosis, which is when Oedipus realizes that he was the murderer of Alias and the husband and son of his mother.
The peripatetic occurs soon after, due to the humiliation of sleeping with his own mother, the Chorus witnesses him taking Octant’s brooches and dashing them on his own eyeballs, shrieking Out that he will never be able to see the crime he committed or had done upon him. (Sophocles 1268) This reversal of fortune produces a feeling of fear and pity on the audience. All these instances show that Oedipus is indeed a tragic Othello takes place in the late sixteenth century, during the wars between Venice and Turkey.
Othello, like Oedipus, is high ranked in society. This is revealed when Othello mentions, “Its yet to know – Which, when I know that boasting is an honor, I shall promulgate – I fetch my life and being from men of royal siege; and my demerits may speak unbuttoned to as proud a fortune as this that have reached. ” (Shakespeare 1. 11. 20) He is telling Ago that he comes from a family as rich and well-known as Adhesion’s family is. Unlike Oedipus however, Othello is shown to have a few fatal flaws in his character.
The character that brings Othello flaws to light is Ago. Ago is a wily character, who uses deceitful tactics to ruin Othello life by trying to destroy his and Adhesion’s marriage. Ago remarks, ‘Though do hate him as I do hell-pains, yet for necessity of present life, I must show out a flag and sign of love, which is indeed but sign. ” (Shakespeare 1. 1. 164) Ago is shown presenting love and loyalty to Othello but underneath that guise he really dislikes him.
Othello is completely fooled by Ago, claiming several times that Ago is a man of honesty and would not betray him. The article “Othello as a Tragic play’ states that Othello “displays his naivety, which could be perceived as a fatal flaw, as he insists on calling Ago ‘honest’ persistently throughout the play. ” (1) Being naive is one of Othello tragic flaws. Another one of his flaws is mistrust, as constantly throughout the play Othello believes Sago’s words over Adhesion’s.
These flaws help contribute to Othello being a tragic hero. As Faith Mistaken emphasizes, Ago uses careful manipulation of words to poison Othello mind, turning his love for Desman into irrational suspicion and horrified jealousy and believing that she was sleeping with Cassia. (3) This is shown once the peripatetic is revealed. His reversal of fortune begins when Ago proclaims “Indeed! ” (Shakespeare 111. 111. 1 12) and Othello responds “Indeed? Ay, indeed. Discerns thou aught in that?
Is he not honest? ” (Shakespeare 111. 111. 114) This shows the change in his mindset , going from trusting Desman to being wary of her. Othello is easily persuaded by Ago, and ponders “By heaven, he echoes me, as if there were some monster in his thought too hideous to be shown. Shakespeare 111. 111. 121) This is where he starts to descend into darkness. Eventually he becomes so jealous that he kills his Desman. As Joan Lord Hall points out, “he makes a fatal error… Rusting Ago instead of his wife and killing Desman after Ago works him into a frenzy of jealousy; he recognizes the enormity of what he has done. (81) Emilie tells Othello that, “Moor, she was chaste; she loved thee, cruel Moor; so come my soul to bliss, as speak true. ” (V. Al. 290) This is where the misdiagnosis takes place, as Othello comes to the conclusion that he has been wronged. Shortly after, he kills himself in remorse. All these facts contribute to Othello being a tragedy, therefore making Othello a tragic hero.
